I painted with Citadel acrylics
but since their last reformulation of the range, the composition of
their colors enormously changed in my view, in particular the bestial
brown which was at the base of all my brown: and thus all the
mixtures with which I was accustomed to working were done for.
In short, cause I should to get
used to a new range, I decided to move to the Prince August acrylic
colours (vallejo/modelcolor) which someone had told me were the best;
the result is satisfactory: large variety of tones, slower drying
times than Citadel (thus easier to work).
At the beginning, certain tones would seems more " earthy " but it
disappear by stirring; it's a little flat,so it is not really adapted
to "washing" (because it's less"elastic ") but I think that that may
be fixed by the addition of a little varnish to the mixture. .
Moreover, the packaging of the
Prince August is ideal (dispensed with a dropper) in contrast to
Citadel which succeeded in the plot to come out with smaller, less
practical pots than the preceding ones (and at the same price!).
My brushes are raphaêl: 8424 (long hairs) and 8400 (short
hairs), the n° 2 or 3 is used for for almost all work and I
resort to the n°0 or n°1 just for the details and the
difficult spots; I read on a miniatures site that this kind of brush
does not justify its price to paint figurines, I think however that
it is a necessary investment because the " low end " brushes do not
hold the road (their point does not remain in place and their hairs
do not have good elasticity) even if they are a good choice for dry
brushing.
The other useful components are:
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to trim the figurine |
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to erase the traces of trimming |
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ditto |
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for priming!! |
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this is a cement with two components which makes it possible to fill the breaches, and even to convert the figurine |
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to remove the largest resin or lead sprues from casting |
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for larger pieces, it is used to reinforce the parts of a figurine using metal pins (wire) |